I am keen to bring to light lesser-known
philosophers or even those hardly known at all. So similarly, I am interested
in lesser-known and lesser-performed composers1, especially from the
classical and romantic periods. I search 2nd hand shops and
sometimes discover a gem or two of these so-called lesser-known composers. I’ve
recently learnt about and listened to Raff2, Rejcha3,
Onslow4, Hummel5 and really liked all of them. Rejcha’s
cello concerto in D major6 sounded very Boccherini-like so I’d love
to learn that one. My favourite though was Raff’s Cello Concerto no 1 in D
minor op. 1937. I was interested that Raff set up special classes
for women composers! He also employed Clara Schumannn as a teacher at the Hoch
Conservatory. Hummel was Slovak and there’s a museum8 in his birth
place Bratislava dedicated to him.
To be honest, I’m not sure I see
these minor composers as minor or their music as not great. I think it’s
exciting to discover forgotten music! There’s something special in bringing
forgotten/lesser- known philosophers or composers back to life again so they can
be appreciated once more! Often when scanning a programme I check for new cello
sonatas, or concertos that I might wish to learn or have learnt but don’t
feature on concert programmes very much. I learnt Breval’s Sonata no 1 in C but
don’t remember ever hearing it live at a concert. I was about 8 yrs old when I
learnt it and I always loved playing the opening chords to it with gusto!
One needs to give an unheard
piece a little more thought when interpreting it because it will influence the audience’s
attitude towards it and the composer. The last thing a performer wants to do is
put people off a newly discovered composer. I know I’m influenced by a
performance. If it’s tedious I may not bother to learn the piece which is
stupid but it happens. However, one of the ways to learn to love a piece one
doesn’t connect with immediately is to research the background to it, the era,
the composer, listen to it, study the score closely, feel your way into the
emotions in the piece and if you know other musicians who are keen to learn new
stuff or even know the piece talk to them about it, perform it to friends etc
really try to get ‘into it’. You never know, you might love it in the end!
1 Steven Isserlis ‘In
praise of those who need it’ (03/04/2017) facebook, available at:
2for more information
about Raff, see: http://raff.org/intro.htm
3for more information
about Rejcha, see:
4for more information
about Onslow, see:
Onslow’s cello sonata in C-minor No.2, Op.16 (1819), available
at: https://www.youtube.com/watch?v=7PuRh4-CCUs
5for more information
about Hummel, see:
Hummel’s Variazioni alla
Monferrina, Op. 54, for cello and piano available at:
https://www.youtube.com/watch?v=uEuGHBt6U4k
(part 1 of 2)
https://www.youtube.com/watch?v=v3U0gOJNf4Y
(part 2 of 2)
6Rejcha, Concerto for Cello and Orchestra in D
major available to listen to at: https://www.youtube.com/watch?v=8aPpyG6GYdM
7 Raff’s cello
concerto no1, available to listen to at:
8For a video about the Hummel museum and to
listen to Hummel’s Trio for 2 Violas and Cello in G major, see https://www.youtube.com/watch?v=qfdhW8UYqdw
No comments:
Post a Comment
Note: only a member of this blog may post a comment.