I’ve been writing on facebook about
the cello, how to play it ie discussing technique I’ve learnt when studying the
cello as well as musical interpretation and cello repertoire. So I thought I’d
bring my thoughts together in a blog. My early blogs here will be those I wrote
in response to the posts of the world famous cellist, Steven Isserlis. I’ll
give a link so you can read what he wrote because here I shall only include my
responses which I shall slightly adapt for this blog for readability. Later I
shall write not only about my facebook posts but go on to discuss how I go
about practising the cello, the repertoire I play, concerts I go to and more.
I’m particularly interested in the
cello because I’m a cellist and therefore this is the focus of this blog. I am also a singer but my training is in musical
theatre and pop rather than classical repertoire /opera so my thoughts on
singing may wander in from time to time. I started playing the cello at 5yrs
old, having nagged my parents and granny about playing the cello since 1 ½ years
old after I went to my 1st concert and heard/saw a cello in a piano trio. I
started learning the cello in group classes for children at a college of music then
studied privately with 3 other teachers all of whom were top professional
cellists who were taught by amazing, well-known cellists themselves.
Before I started playing the
cello, I began the violin and piano at 3 and 4 respectively. So I may stray
into discussing the violin and piano even though I’m not at my finest when I attempt
to play these but I love the sound of the violin and it does have a vast
repertoire! The piano, to my mind, conveys less emotion, unless you are Daniel
Barenboim, who manages to produce sensational colouring, partly by
understanding how to make the keys hit the hammers inside the piano in a way
which avoids some un-aesthetic pitfalls of the sounds a piano can make as well
as how to sustain the sound and create the illusion of crescendo and diminuendo.
I haven’t managed to master this on the piano yet. I’m hoping I will succeed
one day but I’ll never reach his heights.
There are many incredible professional
musicians out there. (There are also amazing non-professional musicians out
there as well.) I won’t be able to mention them all so if I don’t mention your favourite
it’s not because I think they are lesser than it’s just I can’t cover everyone
or everything. However, you are welcome to mention them in comments below or
any other music, especially cello-related, comments/questions you may wish to
share/ask below (as long as they are positive and courteous).
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